
“It’s got more to do with the soul,” - said Ibrahim.
From a large Dagomba family background, Ibrahim shared personal experiences in early childhood, including memories of being disciplined by his dad, going to boarding school, and enjoying eating and watching movies at home even now when he visits.

When it comes to Northern culture, Ibrahim and I agreed on the intriguing traits of an average northern character: being hot-headed, and unafraid to speak our minds while owning our heritage and habitations.
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| Arranged Antique cabinet view |
He shared a wide array of experiences, including trips to states, cities, and countries featuring diverse installations. He started the Savannah Centre for Contemporary Art (SCCA) in Tamale, Ghana, where artists can experiment and work together, established the Red Clay Studio, and uncovered the importance of Nkurumah volnii. He is cool and yet remains humble, sometimes avoiding large gatherings.
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I initiated contact with him by writing about my late mother’s antique furniture and appliances, recognising the cultural significance of preserving these items through art. Despite initial rejection, I persisted and was rewarded with a response.


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| some photos of my late parent’s antique appliances |
My correspondence with him led to an impactful exchange, benefiting children on field trips to his art institutions and enriching their understanding of art, history, culture, and self-discovery.

The institute and studio have hosted about 50,000 kids since 2020, he stated. Mahama has also been involved in a number of initiatives to support economic development.
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| Parliament of ghost. |
Embraced and fuelled by the local community, his work centers around the essence of the region, revolving around art, culture, and sustainability in northern Ghana. For example, he has worked with local communities to develop sustainable industrial and cultivating practices, e.g., producing pots and smocks made by the people and promoting tourism in the region.
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| Thanks for Reading! |
His art installations have drawn attention to the region and its people, and his SCCA has provided a space for artists and cultural producers to thrive. His work is inspirational and helps to shape the future of the region.







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